WILLIAM LOGAN
WILLIAM LOGAN
The Collar
I am his Highness’ dog . . .
—Alexander Pope
Cold ringed those late spring
mornings, not Herbert’s collar
(days too off-white, dingy
peonies only the day before
fizzing into bloom)—more Pope’s
prince’s dog’s, a bit of S/M
paraphernalia that meant ownership
with a chaser of strangulation:
absent gardens, missing reigns.
Remember the long afternoon
at Kew, the sudsy pools choked
with mutant green lungs
of glass that from a distance
might have been mistaken
for tropical refugees? They
were Chihuly’s attempt
to improve on nature, not the worst
rage against death.
First flush of the season
over, catcalls in the hedges
almost ceased, sparrows lost
in rough greenery, civil
wars of undergrowth brokered
in some Concordat of Worms.
Then, only then, could we enter
the Purgatorio of summer,
if such a thing existed.
William Logan’s most recent book of poetry is Rift of Light, published in 2017. His book of long essays on familiar poems, Dickinson’s Nerves, Frost’s Woods, was published in June 2018.